She now has an impressive nine books out in just three years with the tenth due out in September.
She has perhaps become better know for her zombie horror trilogy, with Feed, Deadline and Blackout under the pseudonym Mira Grant, but her urban fantasy series is a classic example of the genre with interesting and engaging characters, thrilling supernatural mysteries, plus it’s all set in the San Francisco area, so locals will love it.
Think Harry Dresden, but make him female, set her in San Francisco, and accept that the world of Faerie not only exists but has portals linking to our own world and the characters of fable are very real and terrifying.
McGuire will be releasing the sixth October Daye book, Ashes of Honor, on September 4.
Rosemary and Rue
October Daye is a changeling (half-human half-fae) who has never really felt she belongs in San Francisco, or the realm of Faerie for that matter. A private detective, who seeks to help out her kind when they are in trouble, has her world changed when she is turned into a koi fish in the opening pages of the book and finds herself trapped beneath the waters for fourteen years and six months. The spell finally breaking, she returns to a very different San Francisco. While she attempts to acclimatize to this future world, a high ranking elven lady is found murdered, and as Toby investigates she finds herself magically bound to the woman until the mystery of her death is solved.
A Local Habitation
As Toby tries to settle down, licking her wounds from her last escapades in Rosemary and Rue, she is asked by her liege, the Duke Sylvester Torquill of the Shadowed Hills to check on his niece, Countess January O’Leary of Tamed Lightning, better known as Freemont, as he hasn’t heard from her in some time. Taking a sidekick along – Quentin — to show him the ropes, she finds herself caught up in way more than she bargained for.
Arriving at Tamed Lighting, Toby finds what appears to be a simple company that produces computer fantasy games, except that all the employees aren’t human, in fact there’s not a single regular human that works there. Then there’s the quiet way everyone acts around her, as if they’re hiding something. Then the first person turns up dead. As Toby unravels the mystery, it turns out bodies have been piling up, but when she tastes their blood to find out what happened to them, she gets nothing. They are empty husks with no story to tell of their demise. The mystery grows further when Toby finds herself under attack from someone or something.
An Artificial Night
As half-fae Toby recovers from her previous near-death escapade, she wonders if she might have some time to do some normal, everyday things, but soon receives a knock at the door.
It’s her Fetch, Maye Daye, a special doppelgänger that can only exist if Toby’s death is quickly approaching. Wondering where her day will go next, she soon receives news that the ceremonial hunt is now on: Blind Michael, lord of the Wild Hunt, is looking for new recruits; only his methods for acquiring them are unorthodox to say the least: he kidnaps them.
Toby finds out that Blind Michael has kidnapped a number of fae children and human children, some of them she is very close to.
There are only certain roads that can take her on this mission to the world fae and the lands of Blind Michael; each of them takes a toll. Toby enlists the help of some unusual allies: Tybalt, Lord of Cats; the Luidaeg, an offspring of Oberon and sibling to Blind Michael; Lily, a powerful fae of the Japanese Gardens in San Francisco; and her fetch, Maye Daye. And it is in Blind Michael’s lands that she meets another unusual character who has a strong connection with someone important in Toby’s life. Also it seems like this Tybalt guy who Toby has always had to hold her own against, may in fact not be such a bad cat after all.
Toby’s still alive and well – relatively speaking – living with her fetch (summoned due to her apparently approaching, imminent death), her rose goblin, and her cats. Just when it seems like she might have a moment to herself, she is unavoidably summoned to appear before the Queen of Mists, who has always borne a grudge against Toby, who isn’t looking forward to this meeting. In a surprise that shocks Toby more than anyone else, the Queen promotes her to countess.
Suspecting a conniving trap, Toby finds herself drawn across San Francisco from place to place as her dear friends and loved ones begin to fall ill due to a mysterious sickness, including Lily, Lady of the Tea Gardens and Lady Torquill of the Shadowed Hills. As she scrambles around trying to find a cure and who’s behind all this, the hammer falls and she finds herself accused of this sickness and people are starting to die. Then she starts seeing Oleander de Merelands, one of the two people responsible for trapping her in a pond for fourteen years of her life; only it seems like she’s the only one seeing her.
Meanwhile, things between Toby and Tybalt, the King of Cats, begin to heat up. But Toby will save everyone and fix everything . . . right?
One Salt Sea
Another day, another big problem to solve for October Daye.
This time someone has kidnapped the two sons of the regent of the Undersea Duchy of Saltmist. Only a month has passed since Toby was brought back from the brink of death and Oleander de Merelands was defeated in Late Eclipses, and now she has a whole new place to call home – Goldengreen – and to deal with. But she has these kidnappings drop into her lap, and she only has three days to do it or it will be all out war between the sea fae and those on land, which is not a good thing, as the saying goes: “When Faerie goes to war, not everyone will walk away.”
Using some help from the terrifying sea witch, the Luidaeg, who creates a spell, Toby is able to breathe underwater and here McGuire has fun with some great description of strange and unusual and fascinating underwater fae that makes The Little Mermaid seem colorless and boring. But Toby knows she’s on a deadline and needs to find any clues she can, put them together, and find these missing kids before it is too late.