Aaaaand, drop the mic. That’s it. We’re caught up (at least until tomorrow). Check out some great films and might very well be the answer to what to watch this Thanksgiving weekend.
Fire up that queue and prep that shopping cart, it’s that time of the week.
Léon: The Professional Cinema Series
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| Sony / Released 10/27/15 |
Jean Reno stars with Gary Oldman and Natalie Portman. When a psychotic Federal Agent wipes out her entire family, twelve-year-old Mathilda is taken in be her neighbor, Léon, a quiet man whose only interests are his houseplants, movie musicals and killing people. Léon’s a professional assassin, a gentle soul who happens to be the best hit man in the business. When the revenge-obsessed waif insists on becoming his protege, Léon reluctantly agrees and begins teaching her the tricks of his trade. But when Mathilda’s rash attempt to murder the Fed ends in her capture, it’s up to Leon to try to rescue the girl before it’s too late. Extras include restoration of both theatrical and unrated cuts of the film, featurettes and trailer.
Last Word: Innocence lost might be the inherent theme in Luc Besson’s film, The Professional as it captures three very different people moving toward major life choices.
Léon, an emotionally and socially stunted hitman who takes his young neighbor, Mathilda under his wing after her family is brutally murdered. Mathilda trains to be Léon’s protégé, “a cleaner”, learning the rules and methods to kill. This unique take on Pygmalion, takes a violent turn as Unfortunately, the killer of Mathilda’s parents want to make sure that there are no loose ends, putting her in danger. The fact that the killer is a corrupt DEA agent (played with over the top crazy by Oldman), the film once again continues Besson’s fascination with good, evil and various shades of grey. The Professional is an electric, over-the-top pulp exercise with amazing performances (especially Portman in her feature film debut). Like the other entries in the Cinema Series, it’s never looked or sounded better. Highly recommended.
The Final Girls
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| Sony / Released 11/3/15 |
When Max (Taissa Farmiga) and her friends reluctantly attend an anniversary screening of Camp Bloodbath, the infamous ’80s horror film that starred Max’s late mother (Malin Akerman), they are mysteriously sucked into the silver screen. They soon realize they are trapped inside the cult classic movie and must team up with the fictional and ill-fated camp counselors, including Max’s mom as the scream queen, to battle the film’s machete-wielding killer. With the body count rising in scene after iconic scene, who will be the final girls left standing and live to escape this film? The Final Girls is a genre-blending horror comedy also starring Adam DeVine, Thomas Middleditch, Alia Shawkat with Alexander Ludwig and Nina Dobrev. Extras include alternate endings and deleted & extended scenes with director’s commentary, cast and crew commentary, writer’s commentary, and featurettes.
Last Word: A love letter to the genre, The Final Girls plays like a horror version of The Last Action Hero, as the cast finds themselves trapped within an Eighties slasher film. It’s a tremendously entertaining and like Scream, is aware of the genre’s tropes and plays with them all the way through the credits. The film is a testament to fandom, acknowledging both the nostalgia and genuine appreciation enthusiasm. The Final Girls is film about the love and appreciation of a cult classic. And as a result will likely become a cult classic in itself.
Vacation
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| Warner Bros. / Released 11/3/15 |
The next generation of Griswolds are on the road again for another hilarious, ill-fated family adventure. Following in his father’s footsteps, a grown-up Rusty Griswold (Ed Helms) surprises his wife, Debbie (Christina Applegate), and their two sons with a cross-country road trip back to America’s “favorite family fun park,” Walley World. What could go wrong? Extras include featurettes, gag reel and deleted scenes.
Last Word: Of the original Vacation films, I’ve never been much of a fan beyond the original film. After seeing this abysmal reboot, I’m soured enough that if I never see Chevy Chase and Beverly D’Angelo on screen together again, that will be too soon. This is an ugly, mean spirited movie. The most charismatic character is Chris Hemsworth’s gargantuan artificial penis (it’s certainly a better performance than the two younger Griswold boys). Ed Helms, Christina Applegate, Leslie Mann and Chris Hemsworth are far too talented for this dreck and some of the supporting roles/cameos reek of favors called in (I’m looking at you Charlie Day, Keegan Michael Key, Regina Hall, Tim Heidecker, Ron Livingston, Nick Kroll, Michael Peña and Colin Hanks). Fortunately, this cash-grab’s failure might be the last for this tired franchise. Writer-directors Jonthan Goldstein and John Francis Daley are writing the new Spider-Man film. I truly hope it’s better than this.
Mr. Holmes
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| Lionsgate/ Released 11/10/15 |
See the world’s most famous detective as you’ve never seen him before, portrayed by acting legend Ian McKellen in this ingeniously plotted suspense-thriller. For thirty years, Sherlock Holmes has been haunted by his final case, one that remains unsolved. Now, spurred by a mysterious trip to Japan, Holmes quietly slips out of retirement to confront the ghosts of his past – and a spellbinding mystery that will take all of his deductive powers to solve. Extras include featurettes.
Last Word: An interesting take on the Holmes mythos set in the twilight years of his life is less cerebral and more sluggish. McKellan is excellent as always, but there’s little intriguing about the mystery that’s afoot. The film’s real power is in the performance by child actor Milo Parker, who provides the only genuine spark in the film and his relationship with Holmes provides the only heart in the film. That being said, the third act is the most engaging and makes sitting through the first two worth the viewing.
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| Sony / Released 11/12/15 |
Before Saul Goodman met Walter White, he was struggling attorney Jimmy McGill (Bob Odenkirk). In this prequel to the Emmy-winning series Breaking Bad, Jimmy teams up with “fixer” Mike Ehrmantraut (Jonathan Banks) and begins his transformation from optimistic underdog into Albuquerque’s most notorious legal legend. Michael McKean stars as Jimmy’s brilliant, uncompromising brother, Chuck. Extras include commentary tracks, three uncensored episodes, featurettes, gag reel, music video, deleted scenes, table read and Bob Odenkirk & Michael McKean in conversation.
Includes the episodes:
- Uno: The opener of a prequel tracing the evolution of Breaking Bad lawyer Saul Goodman finds Jimmy McGill working his magic in the courtroom. Then, unexpected inspiration leads him to an unconventional pursuit of potential clients.
- Mijo: As his troubles escalate to a boiling point, Jimmy finds himself in dire straits. Meanwhile, an act of carelessness puts Chuck at risk.
- Nacho: As James McGill tries to save the Kettlemans, things go out of hand and he ends up with a lot on his plate. An unexpected source comes to his aid.
- Hero: Jimmy conjures up a bold plan to solicit new clients, but has to face the consequences when the scheme strains his relationship with a rival firm.
- Alpine Shepherd Boy: When his efforts to drum up new business are interrupted by alarming news, Jimmy is pressured to make a difficult choice.
- Five-O: Mike’s tragic past comes back to haunt him, and he’s forced to seek help from an unusual source. Meanwhile, Jimmy’s moral compass is put to the test.
- Bingo: Jimmy meets with potential new clients. Then, when given the opportunity to do the right thing, he cashes in a favor from an unlikely ally.
- RICO: Jimmy shows Chuck that he’s willing to do almost anything to win a case, even if it means getting his hands dirty.
- Pimento: Chuck urges Jimmy to accept a harsh truth. Meanwhile, a deal threatens to go off the rails when Mike’s ability to complete a job is called into question.
- Marco: In the aftermath of recent events, Jimmy seizes the opportunity to reconnect with an old friend. Meanwhile, Chuck adjusts to a new way of life.
Forbidden Zone: Ultimate Edition
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| MVD / Released 10/27/15 |
A mysterious door leads to the Sixth Dimension – get ready for a wild ride – in the greatest cult classic of all time. Beautiful young “Frenchy” slides through cosmic intestines into a subterranean world ruled by horny midget King Fausto and his jealous Queen Doris. “Chicken-boy” comes to the rescue, only to have his head cut off by the soul-singing Devil himself – played by Danny Elfman and the original Mystic Knights of the Oingo Boingo. Frog butlers, topless princesses, and rioting school kids sing and dance in unforgettable musical numbers by Danny Elfman, Cab Calloway, Josephine Baker and others. An experience guaranteed you will never forget. Includes both the black & white and color versions of the film, soundtrack CD, commentary, behind the scenes documentary, outtakes and deleted scenes, trailer and new introduction.
Elf: Buddy’s Musical Christmas
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| Warner Bros. / Released 11/3/15 |
Elf: Buddy’s Musical Christmas tells the story of Buddy the elf, and his quest to reunite with the human father he never knew existed. While Buddy’s sincerity and idealism are commonplace at the North Pole, these attributes are rejected in cynical New York City. But through song, dance, and relentless good cheer, Buddy rekindles the spirit of Christmas for the entire city. Extras include Elf-in’ All The Way: Inside Buddy’s Recording Sessions.
Last Word: Based on the New Line Cinema theatrical motion picture Elf, written by David Berenbaum and the Broadway musical Elf, originally produced by Warner Bros. Theatre Ventures in association with Unique Features comes a new animated special that takes it’s place among such iconic seasonal classics as Rudolph The Red Nosed Reindeer and Frosty The Snowman. Perfect for children of all ages and featuring a voice cast that includes Jim Parsons, Mark Hamill, Kate Micucci and Ed Asner, Elf: Buddy’s Musical Christmas is a charming and visually stunning addition to the holiday must watch list.
Tiger House
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| Magnolia / Released 11/3/15 |
When Kelly (Kaya Scodelario) sneaks into her boyfriend’s house one night, she soon discovers she isn’t the only unwelcome visitor. A violent gang – lead by determined boss Shane (Dougray Scott)- have invaded the property and are holding the family hostage for an unknown ransom. Terrified and suffering injury, Kaya is their last chance to survive but faces a considerable foe in the shape of disturb ruthless henchman Callum (Ed Skrein). Extras include making of and trailer.
Tangerine
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| Magnolia / Released 11/10/15 |
It’s Christmas Eve in Tinseltown and Sin-Dee (newcomer Kitana Kiki Rodriguez) is back on the block. Upon hearing that her pimp boyfriend (James Ransone) hasn’t been faithful during the 28 days she was locked up, the working girl and her best friend, Alexandra (newcomer Mya Taylor), embark on a mission to get to the bottom of the scandalous rumor. Their rip-roaring odyssey leads them through various subcultures of Los Angeles, including an Armenian family dealing with their own repercussions of infidelity. Director Sean Baker’s prior films brought rich texture and intimate detail to worlds seldom seen on film. Shot on an iPhone 5s, Tangerine follows suit, bursting off the screen with energy and style. A decidedly modern Christmas tale told on the streets of L.A., Tangerine defies expectation at every turn.
Bad Boys / Bad Boys II
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| Sony / Released 11/10/15 |
Bad Boys
From director Michael Bay and the production team of Don Simpson and Jerry Bruckheimer comes a thrill ride of explosive action from beginning to end. One hundred million dollars worth of confiscated heroin has just been jacked from police custody. Once the career bust of Detective Mike Lowery (Will Smith) and Marcus Burnett (Martin Lawrence), the missing drugs now threaten to shutdown the narcotics division of the Miami Police Department. When the drug investigation turns deadly, the murderers kidnap the only witness, a beautiful police informant (Tea Leoni) and close friend of the boys, which makes things get personal. The cast also includes Tchéky Karyo, Vic Manni as Ferguson, Frank John Hughes, Joe Pantoliano, Nestor Serrano, Julio Oscar Mechoso, Theresa Randle, Ralph Gonzales, Marg Helgenberger and Michael Imperioli. Extras include commentary, featurettes and music videos.Bad Boys II
Narcotics detectives Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence)have been assigned to a high-tech task force investigating the flow of designer ecstasy in Miami. Their inquiries inadvertently lead them to a major conspiracy involving a vicious kingpin, whose ambitions to take over the city’s drug trade have ignited a bloody turf war. But Mike and Marcus’ friendship and working relationship is threatened when Mike begins to develop feelings for Marcus’ sister Syd (Gabrielle Union). Unless they can separate the personal from the professional, Mike and Marcus are in danger of blowing the case and endangering Syd’s life in the process. The cast also includes Jordi Mollà,, Peter Stormare, Theresa Randle, Joe Pantoliano, Michael Shannon, Jon Seda, Yul Vazquez, Jason Manuel Olazabal, Otto Sanchez, and Henry Rollins. Extras include deleted scenes, production diaries, featurettes, music videos and trailers.Last Word: Michael Bay’s directorial debut, Bad Boys, established all of the trademarks that the director has since utilized in every one of his films since; establishing women as objects, establishing vehicles as sexual objects, close ups, pacing the structure so event the most mundane scene feels like an action climax, an overstuffed mise en scene, blue filters for the backgrounds, red filters for the main actors and plenty of explosions. By the time Bad Boys II arrived (his fifth film), Bay had become a master, less worried about the finished film than he was about crafting each particular shot into a piece of individual work of art. Ultimately, his films work on a technical level, but not every one works on emotional level. Bay often considers his actors as complementary pieces of his vision, but not necessarily as the driving force. In both of the Bad Boys films, the relationship and chemistry between Mike and Marcus is not only palpable, but also the most engaging moments of either film. Add in the pyrotechnics and both films are elevated to the over the top, ridiculousness that sets them apart from similar films in his oeuvre (Transformers series, etc.) Recommended.
The Jinx: The Life and Deaths of Robert Durst
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| HBO / Released 9/15/15 |
An edge-of-your-seat, addictive documentary series, The Jinx: The Life and Deaths of Robert Durst examines the life of the reclusive millionaire at the heart of three killings spanning four decades. Robert Durst, the scion of a New York real estate empire, has long been a suspect in the notorious 1982 disappearance of his wife, Kathie. Further suspicion was raised with the unsolved killing of his best friend, Susan Berman, thought to be a key witness in the investigation into Kathie’s disappearance in 2000, as well as the subsequent killing and dismemberment of a neighbor in Galveston, Texas. Durst has consistently maintained his innocence, but throughout the film, new evidence is uncovered that may link Durst to one of the murders. He was arrested in New Orleans in March and charged with Berman’s murder in Los Angeles.
Includes the episodes:
- A Body in the Bay: A bizarre 2001 murder in Texas resurrects public interest surrounding NYC real-estate scion Robert Durst, who seeks out filmmaker Andrew Jarecki for an exclusive one-on-one interview.
- Poor Little Rich Boy: Interviewed by Andrew Jarecki, Robert Durst recalls seeing his mother jump to her death when he was seven, and opens up about the marital travails that preceded his wife Kathie’s disappearance in 1982.
- The Gangster’s Daughter: Nearly 20 years after his wife disappeared, Robert Durst makes headlines again when his longtime confidante Susan Berman–a potential witness in the disappearance of Kathie Durst–is murdered in LA.
- The State of Texas vs. Robert Durst: Two years after the dismembered body of Morris Black washed up on the shores of Galveston, TX, Robert Durst goes on trial with a formidable team of attorneys and a brilliant defense strategy.
- Family Values: Present day: In the 33 years since Kathie Durst disappeared, no progress has been made in finding out what happened to her, or finding her body. Without answers, her family and friends continue to hunt for the truth.
- The Second Interview: Present day: Nearly a decade has passed since the filmmakers began investigating Robert Durst and his alleged crimes. They have spoken to more than 100 participants in Durst’s story in an attempt to get at the truth.
The Hobbit: The Battle of Five Armies (Extended Edition)
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| Warner Bros. / Released 11/17/15 |
The Hobbit: The Battle of the Five Armies brings to an epic conclusion the adventure of Bilbo Baggins (Martin Freeman), Thorin Oakenshield (Richard Armitage) and the Company of Dwarves. The Dwarves of Erebor have reclaimed the vast wealth of their homeland, but now must face the consequences of having unleashed the terrifying Dragon, Smaug, upon the defenseless men, women and children of Lake-town.
As he succumbs to dragon-sickness, the King Under the Mountain, Thorin Oakenshield, sacrifices friendship and honor in search for the legendary Arkenstone. Unable to help Thorin see reason, Bilbo is driven to make a desperate and dangerous choice, not knowing that even greater perils lie ahead. An ancient enemy has returned to Middle-earth. Sauron, the Dark Lord, has sent forth legions of Orcs in a stealth attack upon the Lonely Mountain.
As darkness converges on their escalating conflict, the races of Dwarves, Elves and Men must decide – unite or be destroyed. Bilbo finds himself fighting for his life and the lives of his friends as five great armies go to war. Extras include
Last Word: Given what I know about Peter Jackson and what I have seen previously from the New Zealand film maestro I must say that the penultimate film in the Middle Earth Saga was kind of a let down. This chapter of the Hobbit trilogy should have been entitled “A very expected journey and the desolation of a good film maker” It was grand and epic and emotional and exciting. But most of all it was really boring. I don’t know if it had to do with the fact that we have literally seen everything, in this film, before or if it was because at this point Jackson is so sick of the world of Middle Earth that he is basically phoning this one in. It could have also been that this film looks more and more like a video game and less like a film with so much more digital 3D graphics being used than previous films.
I dunno. Anyone familiar with the story knows what is going to happen and it was the same for the LoTR trilogy, but it was HOW he presented the material. From Fellowship to Two Towers to the climax of Return of the King, Jackson built upon each story and upped the ante and the storytelling. With The Hobbit Trilogy he seems to just seems to get more and more tired and meh. Lets talk about the fact that The Hobbit, a book about a third the length of just one of the LotR books, which only got a film each, was split into three films.
Now that they are all out and I have seen them, I really ask myself why? Other than the obvious reason of money money money there is absolutely no reason whatsoever to have turned this book into what ends up being an 8 hour epic. 8 HOURS! Let that sink in. By that logic the LotR trilogy should have been about 28 1/2 hours long. It makes no sense. I am a huge Tolkien fan. I love the Silmarillion but Eru save those who tried to sit though something like that.
But I digress. What works in this film is the bits added from the appendices and the scenes that were references from The Silmarillion. What didn’t work are all the long flying tracking shots and the spinning camerawork. All the walking and high above camera angles of mountains and New Zealand. I understand it is pretty and gorgeous to look at but the film started to feel like an ad by the Commonwealth of New Zealand’s tourist ministry. Misplaced slow motion and awkward editing created pacing problems where the film took way to long on trivial things and spent little to no time on character and scene development.
A perfect example of this is the “romance” between Tauriel, a character created for the film version of The Hobbit, wonderfully played by Evangeline Lilly, I must say and heart throb dwarf that is conveniently less hairy and bulbous, Kili, played by Aidan Turner is a big let down and by the time the film ends. The final culmination of all the cobbled together scenes of their forced relationship are so “wedged in” to an already dense plot that all I was left with was “Meh. What was the purpose of that again?”. Having this weird romance in the film for no other reason than it seems to hook in the female audience is trite and very out of place in this story at best.
The Hobbit was originally written as a children’s book or at least a younger audience that the LotR books were written for and the thing that I loved about it is that it is fun and adventurous and has a great spirit to it. There was a sense of heroism and personal growth of all the characters, not just Bilbo Baggins. That the idea of not “judging a book by it’s cover” runs throughout the book. The films of the books have become grossly overwrought with pathos and violence with a sullen, sadness and hopelessness. The films kind of bummed me out and left me feeling kind of crappy instead of making me feel uplifted and that even at the worst of times great things can prevail.
So, my recommendation is watch it. Watch the pretty CGI dragon. Watch the cool video game graphics. Try and figure out what the crap is going on with the creepy CGI’d Billy Connolly dwarf that looks like it came from the same nightmare that CGI young Patrick Stewart and Ian McKellen spawned from in that crappy X-Men 3 movie. Laugh at the weird out of place elf dialogue between Thranduil and Legolas. Watch it with low expectations. Maybe you won’t be disappointed. But I was. ( – Benn Robbins)
The Man From U.N.C.L.E.
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| Warner Bros. / Released 11/17/15 |
At the height of the Cold War in the early 1960s, CIA agent Napoleon Solo (Henry Cavill) and KGB agent Illya Kuryakin (Armie Hammer) must put aside longstanding hostilities to stop a mysterious international criminal organization bent on destabilizing the fragile balance of world power. With only one lead, the agents race to find a vanished German scientist who is the key to infiltrating the organization in this cool, stylish action-adventure from director Guy Ritchie. Extras include featurettes.
Last Word: Guy Ritchie really is on his game. The Man From U.N.C.L.E. is a great homage to the original 1960’s television series. Everything about the film has been crafted lovingly to pay tribute and give the audience a great origin story that is entertaining in its own right.
From the fashion, to the cars, to the soundtrack and score, right down to the font choice in the opening credits, no detail has been missed to recreate the 60’s. Then it is spun on it head through Guy Ritchie’s modern, kinetic storytelling that challenges you to keep up with it’s breakneck pace. At the heart of the Cold War suave, American spy Napoleon Solo (Henry Cavill) is forced to team up with his rugged, Russian adversary, Illya Kuryakin (Armie Hammer) to find a former Nazi scientist before he can build an atomic bomb for a secret, criminal organization. Add into the mix Alicia Vikander as Gaby, the pint-sized mechanic with a Gidget factor of 10 and can handle a car like a pro for a teasing love interest, and Elizabeth Debicki as the sultry but ruthless villainess and you have all the ingredients for a classic spy thriller.
He may have had to kiss a few frogs to find his princes, but Guy Ritchie did well casting Henry Cavill and Armie Hammer. They work perfectly with one another. Their humor is just campy enough to be reminiscent of the 60’s tongue-in-cheek spy genre without stepping over the line into groan inducing material. Alicia Vikander (who was stunning as the A.I. in Ex Machina) does a complete 180º in a comedic relief role, portraying the spunky Gaby, and steals more than one scene from her male counterparts. Elements that have become over used to the point of becoming mundane have been overhauled by the Guy Ritchie machine. In partnership with cinematographer John Mathieson, and Ritchie’s longtime editor, James Hubert, Ritchie reinterprets the montage, creating almost a frenetic series of shots that pull the viewer into the action. Ritchie has filmed one of the best car chases I have seen in a long time.
And then, there is the style. The clothes, the make-up, the hair, the cars. Each room that is walked into, any extra that may stray into view of the camera, all of it painstakingly painted onto 1960’s canvas, bigger than life. Most origin stories feel like a means to an end. Something that has to be made in order to “get to the good stuff”. Ritchie’s The Man From U.N.C.L.E. feels more a great first date. Something that you want to tell your friends about, and you can’t wait for the next one. ( – Elizabeth Robbins)
Troll / Troll 2
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| Shout! Factory / Released 11/17/15 |
Be Afraid… Be Twice As Afraid!
Troll
Lock the doors and pull out the weed-wacker for this house party of horror! One family is about to find out there’s no place like home when a troublesome troll starts taking over their building, transforming each apartment into an overgrown garden of ancient evil and turning tenants into a horde of hairy hobgoblins! Starring Michael Moriarty, Julia Louis-Dreyfus, Shelley Hack, June Lockhart, Anne Lockhart and Noah Hathaway. Extras include new making of, trailer and gallery.Troll 2
Those greedy goblins are back and hungrier than ever in this gourmet gross-out! Disguised as friendly country folk, a pugnacious posse of people-eating trolls lures visitors to their town. But a family of four is about to discover this place is a real tourist trap… and now, the no-good gnomes must be destroyed before the family gets flambéed… and the world becomes a buffet in this feeding frenzy of fear! Extras include commentary and trailer.Also included is the feature length documentary, Best Worst Movie, an affectionate and intoxicatingly fun tribute to the single greatest bad movie ever made and the people responsible for unleashing it on the world. In 1989, a group of unknown Utah actors starred in what would be crowned the worst movie of all time: Troll 2. After two decades of running from this cinematic disaster, the cast can no longer hide from the legion of followers that celebrate them for their ineptitude.
Best Worst Movie, directed by Troll 2‘s once-disgraced child star, Michael Paul Stephenson, unravels the improbable story of a sunny, small-town Alabama dentist turned-cult-movie-icon and a self-deluded Italian filmmaker who struggles to come to grips with his internationally revered cinematic failure. The result is a hilarious and tender offbeat journey that pays homage to lovers of bad movies and the people who make them, while investigating a deeper story about the strange nature of celebrity, the catharsis of redemption and the humanity that exists in making even the worst movie ever made.
Gatchaman: The Movie
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| Sentai/Section 23 / Released 11/17/15 |
The Earth is in peril and Mankind seems doomed! Led by the sinister mutant Berg Katse, the international terrorist organization known as GALACTOR has launched its armies of henchmen and giant weapons of mass destruction against the entire planet. But the forces of evil are about to meet their match! Utilizing incredible fighting techniques, and with the mighty ship God Phoenix at their command, the Science Ninja Team stands ready to take the battle back to the bad guys and their evil alien overlords! Join Ken the Eagle, Joe the Condor, Jun the Swan, Jinpei the Swallow, and Ryu the Owl, as these five costumed commandos join with their commander, Dr. Nambu, to save our world the old fashioned way: one flying kick at a time!
Last Word: I’m still hoping that at some point this gets a release with the Battle of the Planets dubbed voices, but nevertheless, it’s hard not to get excited by this release. Gatchaman was broadcast in the United States in the late Seventies utilizing new dubs and stories and re-edited content that was embedded with new animation (cutting to a robot in an underwater base “observing” the action was a low cost option to fix the missing violent footage and maintain a narrative). That spirit is alive in Gatchaman: The Movie, which re-edits several episodes of the Japanese series into a single film narrative with a certain level of accomplishment. It’s not a great film, but it’s a lot of fun and a must have for anyone who grew up with the adventures of G-Force, regardless of the interpretation. Nostalgia wins this round!
Faust
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| Kino Lorber / Released 11/17/15 |
Mobilizing the full resources of Ufa Studios, F.W. Murnau (Nosferatu, Sunrise) orchestrated a colossal adaptation of Goethe’s Faust that ranks alongside Fritz Lang’s Metropolis as the greatest achievement of German silent cinema. Gösta Eckman stars as the titular alchemist who, struggling with his faith amidst a devastating plague, is offered the power to cure and the gift of youth…in exchange for his soul. As the diabolical Mephisto, Emil Jannings (The Last Laugh) delivers a performance of operatic intensity, by turns charming, comical, and horrific.
Considered one of the crowning achievements of German silent film, Murnau’s adaptation of the Goethe play about a young alchemist’s pact with a devil is an epic, visually sumptuous production that harnessed the full resources of Germany’s Ufa Studios to create an unforgettable cinematic experience. This Kino Classics Blu-ray edition contains the meticulous restoration of the original German release version of the film, as well as a DVD of the lengthier alternate cut prepared by Ufa Studios in 1930.
This edition includes a choice of two musical scores: a piano score by Javier Pérez de Azpeitia, adapted from the 1926 orchestral arrangement by Paul Hensel, and an orchestral score by The Mont Alto Motion Picture Orchestra, compiled from historic photoplay music. The set comes packed with bonus features, including The Language of Shadows: Faust, a 53-minute documentary by film restoration expert Luciano Berriatúa, about the making and restoration of the film, test footage of Ernst Lubtisch’s abandoned production of Marguerite and Faust, preserved by the Library of Congress, and a bonus DVD featuring the alternate 1930 cut of the film, featuring an original score by Timothy Brock, performed by the Olympia Chamber Orchestra.
White Of The Eye
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| Shout! Factory / Released 11/17/15 |
A stylish take on the woman in jeopardy and mad killer genres, White of the Eye poses the question, What would you do if you suspected your loving husband to be a serial killer? Arizonan Paul White (David Keith) is an expert at installing high-end stereo systems in the homes of wealthy citizens. He has been married to Joan (Cathy Moriarty) for ten years, having seduced her away from a violent criminal, Mike DeSantos (Alan Rosenberg). A series of brutal murders of well-to-do women has citizens of Paul and Joan’s town on edge. When evidence at the scene of the second murder points to Paul, Joan tries to fend off the suspicions of police detective Charles Mendoza (Art J. Evans), even as she begins to see signs of violence in her husband that confirm the accusation. Director Donald Cammell, who co-wrote the script with his wife China, offers a fragmented narrative characterized by quick cutting; subjective, handheld camera work; and optical tricks that suggest the unraveling of Paul’s mind. Extras include interviews, commentary, deleted scenes with commentary, alternate credit sequence, and flashback sequences prior to bleach bypass process.
The 10th Kingdom 15th Anniversary Special Edition
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| Mill Creek / Released 11/3/15 |
Two Worlds Come Together In One Fantastic Adventure. Beyond the mortal world lies Nine Kingdoms where the fantastic land of fairy tales and magic are brought to life – and reinvented. The themes and ideas of folklore and mythology perform fully as the classic characters enter a vortex at the edge of the mortal world which leads them to The 10th Kingdom…Central Park!This ten part mini-series tells the tale of Prince Wendell (Daniel Lapaine) and the evil queen (Dianne Wiest) who has doomed him to spend the rest of his life as a dog. In order to recapture the throne Prince Wendell travels through the portal to the mythical kingdom of Manhattan and finds two ordinary mortals Virginia (Kimberly Williams-Paisley) and Tony (John Larroquette). Together they battle the evils of the parallel universe, and defend themselves from vile trolls, goblins and every fairy tale character imaginable! Stunning visual effects and a stellar cast create an epic adventure that will enchant audiences of all ages. The ensemble also includes Scott Cohen, Ann-Margret, Rutger Hauer, Daniel Lapaine, Camryn Manheim, and Ed O’Neill. Extras include making of and isolated score.
Living In Oblivion
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| Shout! Factory / Released 11/17/15 |
The leading man has just had a disastrous one-night stand with the leading lady; the cinematographer is breaking up with the assistant director; the director’s mother has wandered onto the set; and the little person hired for the dream sequence has a big attitude.
From award-winning writer/director Tom DiCillo comes an inventive, hilarious look at the movie-making business. Steve Buscemi, Catherine Keener, Dermot Mulroney, James Le Gros and Peter Dinklage star in this “smart, well-crafted” (San Francisco Gate) and “savagely funny satire” (The Washington Post) you’ll want to experience again and again. Living In Oblivion is now presented in stunning high-definition, from a brand-new restoration supervised by Tom DiCillo. Extras include commentary, making of, Q&A, and deleted scene.
Mary Tyler Moore: A Celebration
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| PBS/ Released 11/17/15 |
She “turned the world on with her smile” on The Dick Van Dyke Show, The Mary Tyler Moore Show, and countless movie roles. This special features dozens of classic clips—plus comments from Betty White, Ed Asner, Valerie Harper, Cloris Leachman, Gavin MacLeod, John Amos, Carl Reiner, Dick Van Dyke, and Mary Tyler Moore herself. Plus, Oprah Winfrey recounts Mary Tyler Moore’s critical role in inspiring Oprah—and millions of others—as TV’s first independent career woman.Mary Tyler Moore’s stage and screen career is paved with a slew of awards and nominations: Moore has earned seven Emmys (two for her role of the beloved Laura Petrie on The Dick Van Dyke Show and four for The Mary Tyler Moore Show), three Golden Globes (one for Ordinary People, The Mary Tyler Moore Show, and The Dick Van Dyke Show respectively), a Tony Award (Whose Life Is It Anyway?), and an Academy Award Nomination (Ordinary People). Behind the scenes, Moore devoted her life to the American Diabetes Association. Professionally and personally, this comedienne has given us plenty of reason to celebrate her life.
The Uncanny
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| Image / Released 11/3/15 |
For ten years, inventor David Kressen (Mark Webber) has lived in seclusion with his inventions, including Adam, a robot with incredible lifelike human qualities. When reporter Joy Andrews (Lucy Griffiths) is given access to their unconventional facility, she is alternately repelled and attracted to the scientist and his creation. But as Adam exhibits emergent behavior of anger and jealousy towards her, she finds herself increasingly entangled in a web of deception where no one’s motives are easily decipherable.
The Wild Eye
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| Code Red / Released 11/17/15 |
One of the most controversial, devastating Italian films of the 1960s takes an unflinching look at the world of mondo filmmakers who try to capture the brutality of real life in front of their lens…at any price. Paolo (Philippe Leroy) is a documentarian on a mission to see the world and present human nature in its truest, rawest form, even if it means depriving his crew of water in the desert or infiltrating deadly, war-torn regions of Vietnam to find new violent extremes for his next production.
Originally a co-director of the notorious hit Mondo Cane, Paolo Cavara takes an inside look at a world gone made where the act of filmmaking itself carries a high mortal price. Still startling today, this acclaimed production also stars Delia Boccardo and Gabriele Tinti and features a legendary, haunting soundtrack by easy listening legend Gianni Marchetti. Once you’ve seen it, you’ll never look at a camera the same way again. Extras include interview and trailer.
The Cheerleaders
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| Code Red / Released 11/17/15 |
When reluctant virgin Jeannie (the delicious Stephanie Fondue) joins the Amoroso High cheerleaders, she’s welcomed into their wild world of teenage teases, lesbian love, horny jocks, and more. But now the fix is in on the season’s biggest game, and the sexy squad has a plan to suck out the energy of the entire opposing team. Can the girls help their school win the championship? Will Jeannie find someone to pluck the cherry from her sundae? And most of all, is anyone safe from the unleashed lust of The Cheerleaders? Extras include commentary.
Swim Little Fish Swim
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| IndiePix / Released 11/17/15 |
Swim Little Fish Swim centers around adamantly unemployed musician Leeward (Dustin Guy Defa) and his wife Mary (Brooke Bloom), a beleaguered hospital nurse who’s quickly becoming resentful of her irresponsible husband. While Mary works long draining hours, Leeward, who fancies himself a misunderstood artist and a New Age visionary, composes songs with instruments he makes from his three year old daughter’s toys. Enter Lilas (co-director Lola Bessis), a 19-year-old French artist and daughter of a world famous painter, trying to make it in New York’s contemporary art scene and escape her overbearing mother. And when the bubbly young woman moves into Leeward and Mary’s tiny Chinatown apartment, the couple’s already tenuous relationship is upset even further. Will Leeward bear down, get a job composing jingles and meet his responsibilities, or will his chance meeting with Lilas send him down a path that will make his dreams come true?
The House on Carroll Street
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| Kino Lorber / Released 11/17/15 |
Kelly McGillis and Jeff Daniels spark a fiery chemistry in this old fashioned romantic thriller that boasts superb casting, a skillful and astute script by Walter Bernstein (The Train, Fail Safe) and edge-of-your-seat direction by the great Peter Yates (Bullitt, Robbery). When Emily Crany (McGillis) refuses to cooperate with the House Un-American Activities Committee chairman, Ray Salwen (Mandy Patinkin), she’s blacklisted and immediately fired from her job. But when she stumbles upon Salwen’s nefarious plot to smuggle Nazi war criminals into the U.S., she enlists the help of FBI agent (Daniels) to help her bring Salwen to justice… before he brings an end to them! The great Jessica Tandy co-stars in this homage to classic Hollywood film noirs.
Heartbreakers
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| Olive Films / Released 11/24/15 |
Set in Palm Beach, Heartbreakers follows the escapades of Max (Signourney Weaver) and Page (Jennifer Love Hewitt) Connors, two con artists who use beauty and brains to bilk big bucks from their perspective suitors. Page’s plan for a solo career is threatened when confronted by the IRS (in the form of Anne Bancroft) for back taxes. So, it’s time for one last job. And what a last job it’ll be. With their sites set on tobacco tycoon William B. Tensey (Gene Hackman) it looks like their problems are solved. Enter former con, Dean Cummano (Ray Liotta, Goodfellas) and potential con (and romantic interest), Jack Withrowe (Jason Lee, Almost Famous) and the stage is set for comic confusion of the highest order. Heartbreakers co-stars Jeffrey Jones, Nora Dunn, Sarah Silverman and Zach Galifianakis. Extras include making of, featurette, deleted scenes and trailer.
Eight Men Out
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| Olive Films / Released 11/24/15 |
The scandal that gave the nation’s favorite pastime a black eye is dramatically rendered in the John Sayles (Lone Star) scripted and directed Eight Men Out. Based on Eliot Asinof’s book Eight Men Out: The Black Sox and the 1919 World Series, the film traces the gambling conspiracy by members of the Chicago White Sox to lose the 1919 World Series in order to win a huge gambling payday. The film features an impressive cast including John Cusack (Say Anything), Charlie Sheen (Wall Street), D.B. Sweeney (Taken 2), David Strathairn (Lincoln), Michael Lerner (Barton Fink), Clifton James (WUSA) and Christopher Lloyd (Back To The Future). Extras include commentary, documentary and trailer.
