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‘Booksmart’ (review by Andrew Osborne)

Produced by Megan Ellison, Chelsea Barnard,
David Distenfield, Jessica Elbaum, Katie Silberman

Written by Emily Halpern, Sarah Haskins,
Susanna Fogel, Katie Silberman

Directed by Olivia Wilde
Starring Kaitlyn Dever, Beanie Feldstein,
Jessica Williams, Lisa Kudrow,
Will Forte, Jason Sudeikis

 

As of this writing, Booksmart, Olivia Wilde’s directorial debut (starring Jonah Hill’s sister, the luminous Beanie Feldstein) is sporting an impressive 100% “fresh” score on Rotten Tomatoes, due in part to its empowering girl power message (both onscreen and off).  But does that mean the much-lauded teen comedy is actually…good?

Well, let’s just say that, much like Feldstein’s character, Molly (a perfectionist control freak who makes Election‘s Tracy Flick seem like a slacker), Booksmart definitely gets an A for effort.

Oh, so much effort.

Indeed, the hyper-adrenalized pace, over-the-top set pieces, and conspicuously flashy production values strain so hard for INSTANT COMEDY CLASSIC!!! status that Wilde’s promising yet way over-caffeinated direction nearly beats the charm out of the legitimately sweet distaff Superbad tale of female friendship lurking beneath all the flop sweat and Millennial-baiting cultural references.

Fortunately, there’s just enough charm left over to make the movie worth a look thanks in large part to a winning performance by Feldstein (best known as Saoirse Ronan’s loyal pal in Greta Gerwig’s far superior coming-of-age dramedy, Ladybird).

Together with her brainy, sullen friend, Amy (Kaitlyn Dever), Molly realizes (in one of the film’s funnier bits) that the hard-partying classmates the pair of goody-two-shoes spent their adolescence looking down on actually got into colleges just as prestigious as theirs while simultaneously acquiring the social intelligence and sexual experience the two of them sorely lack.

Thus, to catch up with her peers, Molly drags Amy through a wild night of graduation parties, determined to squeeze four years of debauchery into 24 hours — which, for the most part, is just as exhausting as it sounds (save for some decent one-liners, sight gags, and the occasional quiet moments of chemistry between Feldstein and Dever when Wilde lays off the throttle long enough to let their characters behave like actual flesh-and-blood human beings.

 

 

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